Thursday, January 03, 2008

Wow! A GLOWING Review!

All right, bloglodytes/blogizens/buds and supporters -- I need to share this with you because ... well, because.  Time for me to strut a li'l bit, y'all.  :)

As some of you may know, and all of you will now know, I have a page on an artists community.  The web space is called deviantART, located at, logically enough, http://deviartart.com/.  So, about three years ago (maybe a shade under), I started falling back in love with drawing.  It was a wondrous thing to behold.  I'd set my art aside for decades at a time, and whenever I reconnect with it, it's magical to me.  It's sort of like intimacy with my wife.  Doesn't happen a lot, but when it does ... fireworks, y'know?  (TMI.  Sorry.)

Anyway, all the same pieces of fiction I post here on my blog, I also post there.  (Among other places, like my Wiki spaces, one of which is here.)  And, I actually have a couple of regulars there.  Doesn't sound like a big deal, when over here on WP I've got  Sherri, and Raga, and Bryce, and my beloved one, and a bunch of people (apparently) that are lurkers, reading but not commenting.  And then there's Ian, and UnderCanopy, too.  So I love my readers here, and a tiny smattering of them over there shouldn't matter so much as the close ones I've met here, I guess, but I care.  Mostly because ... well, because I love my readers.  I do.  Anyone that reads my writing has an automatic in-road to my heart, and I'm schmaltzy like that.

Recently, I'd been cruising around on dA, looking at the pages of the folks who've visited my page.  I have a really, really low page count, though, so whenever someone stops by I try to send them a thank you note for stopping by.  The problem with dA is that it's primarily for visual artists: people who can draw, paint, take and/or manipulate photos ... things like that.  So visitors are able to stop by, see some of your gallery and decide whether they want to see more of you.  If they like your stuff a lot, they can "watch" you -- that's the dA equivalent of "friending" someone on MySpace, just so you know.  You'll be notified whenever the artists posts new art, etc.

I was visiting the visitors of my page, and I came across someone who's a writer, and by reading the comments on their work, it led me to other pages.  Pretty soon, I found one from a lady that's a pretty doggone good writer.  I've not met many on dA, sadly, but she was ... well, she's pretty doggone good.  I started reading one of her stories, which was serialized just as my Ghost Hunters story was, and I was immediately hooked.  I read the entire piece last night.  And I've never done that before with a dA writer ... ever.

So I left her a comment.  Before I knew it, she was commenting back to me, telling me thanks for reading, glad you like it, blah blah.  Well, if you're familiar at all with those situations, you know it's generally considered common courtesy to read someone's work if they've read yours.  She picked Witch Hunt instead of Ghost Hunters, probably because it was only three parts (so far) instead of the whopping 95K word, 47-segment ordeal of the latter.  At any rate, I didn't know she was reading it, and I generally don't want folks to feel compelled to read my work just because I've read theirs.  That's the wrong reason for doing it anyway, and I won't take it personally.  Reading is a major investment of time and thought.  It's not easily undertaken, especially with a big project.  Right, Sherri?  :)

Well, this afternoon, I had a comment from this nice lady.  We'd exchanged a couple of them today, about various things, random thoughts, and when I read it I nearly did a spit-take on my screen with my coffee from shock.  Here it is, verbatim, copied and pasted from my dA page:

Okay, I reread this hoping to provide some helpful criticism. Here goes: This is great. No kidding. I couldn't find a single s[c]rew up, or typo, or grammatical error -- or even something I just plain didn't like. My opinion cou[n]ts too, because I taught creative writing for three years, composition for three more, and have been writing professionally for ad agencies, magazines and a newspaper for over 24 more! If I received this piece as sample pages to consider for publication, I would demand more immediately. Don't you wish I was an agent? Yeah, me too. Anyway, I'm off to part two.

BADDA-BING, PEOPLE!!  Okay, Sherri-berry, say it with me now; ready?

WOOOOO!!!

That ... that left me absolutely speechless.  Oh, and a little teary.  I tried to find some fumbling words of gratitude to express, but I just kept gushing.  So I gave up.  But I was blown away.

That's not the end of it, either.  She commented on all the other parts of "Witch Hunt" too, and she picked up a typo I missed along the way.

Needless to say, I'm on a euphoric, endorphin-driven high from which I sha'n't come down ... until someone says they don't like it, of course.  Then I'll slide into a dark, brooding depression, bubbling like the swamps of Dagoba, grunting like Yoda, and I won't emerge from that for a while.  Back and forth I'll go.

Right now, though, I'm high.

If you're in the mood for a gritty, kinky sorta mature-reader oriented story with a lot of punch, suspense, tension and professional-quality prose, check out this wonderful author's dA page at http://denlm.deviantart.com.  The story is called "Jon.com", but she's got others, too.  You have to sign up for dA to comment, I believe, but you might find an email address for her there somewhere.  Drop her a line and give her your feedback, if you want.  She enjoys quality critiques.

I'm going to bask now.  Thanks.

:)

-JDT-


Wednesday, January 02, 2008

A Busy Day on the Blogosphere

Well ... I can tell by my hit count the holidays are over and you're all back to your routines of reading and being read, sharing thoughts and catching up with fellow blogophiles.  (Blogizens?  Bloglodytes?)  It's nice to see you all again, and I hope your holiday season was happy, healthy, fun and safe, but most of all, richly blessed.

Those of you who never left already know I sure appreciated your company through the time.  It was fun to be so close and intimate with a few of you, and to spend quiet winter evenings, muffled by the snow, with you.  Sipping eggnog and brandy, Irish coffee and hot cocoa by the fireside in our comfy leather wingbacks, talking quietly in the deep stillness of the winter chill ... I can't think of any time more well-spent.

For those of you who are resolution-makers, what are they?  Have you written them down yet?  You should, you know; they become more real and less easily forgotten -- or forsaken -- when you do.  ;)

I just had my second-best day ever, in terms of page views, according my handy li'l stat counter here on WP's dashboard.  Thanks for stopping by, and for those of you indulging in the serial fiction -- I sure hope you like it.  It was a lot of fun to write, and I promise -- by all that is holy, I promise!! -- I'm going to continue working on a new one.  Maybe not the one I've started (because I've not been happy with its plot so far), but on something new, I promise.  Bear with me; the muse will return eventually.  She'd better ... the bitch.

Ahem.  Sorry.

So, anyway ... yes, I'm still sorely lacking in inspiration.  I've been trying to re-examine what I've plotted in my new story, and at the same time ask myself if that's the story I want to write now.  In the meanwhile, I've come to grips with the idea that I have something pressing on me now, something urgent, something I need to resolve really quickly.  It's urgent, it's critical and it's not going away.  It's not going well, either.  I have to take care of that issue first, before I move easily into fiction.  If I can get some things happening there, I can focus more fully on writing.  You know, relax ... create ... let the imaginative bowels move, if you will.  (Okay, that was yucky.  Sorry.)

Whatever turns out in these areas, I'm happy to see you all back.  For those who felt my last post was a little moody ... you're right.  It was.  I'm fighting depression along with a lot of pressure from life in general, but hey -- who's not?  I apologize, I wasn't trying to be a downer.  I hope you liked the prose, though.  It was as close as I may have ever come to capturing my emotional state in words.

Have fun going back to work, and we'll talk again soon.  I promise.

:)

-JDT-

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Monday, December 31, 2007

The End of Things

The heavy, slate-gray sky is wet and low, pregnant with rain. The water rushes with suicidal abandon at the moist sandy beach, the frothy foam-fringed waves casting like doily-draped seals onto the minuscule particles of silica. They are opaque against the crisp snap of the winter air as they explode into shards that roll and scatter up toward the land before collapsing in on themselves to retreat, regroup and surge the shore again, breaching upon the land in an unending dance made more dramatic by the gloom.

I watch the sunlight dying behind the sodden blanket of overcast that stretches to the horizon and beyond, feeling the sting of the mist on my face and the tears pressed from my eyes by the steady wind. It is never fully aggressive and yet unyielding, tossing my hair away from my face as I stare at the growing, gathering storm. I feel the pressure against the fullness of my body, pushing against me, a constant drag away, back, inland. The fading light retreats to dimness slowly enough for me to garner my thoughts and try to marshal my self control.

This is the last day of 2007. It's a time for many to take survey of what they've done, achieved, gained, lost, how they've grown, changed, regressed, stagnated. It's a time of taking stock, of inventorying things, personally and relationally, and a time for assessment. In that vein, I am no different than anyone else. At this time of year, starting around my birthday, I generally begin to look at my life with a critical eye and see what was done right, what wasn't; what needs to change and what I'd like to change.

So much. So little. Not enough. Too much. Abundance, want, plenty, need. A constant, spinning dance that never seems fully in step, in rhythm, in concert. There is hope. There is despair. There is longing, there is joy. There is laughter, ever tempered by the stream of tears. There is the constant questioning, wondering, pondering. Prayer and action, paralysis and frenzy, faith and worry and weakness and strength. So much. So little. Not enough. Too much.

There is change. There is stagnation. There is wonder, there is bewilderment. There is elation, there is sorrow. Friends lost, friends gained, life cut short and life anew. There is so much agony, so much ecstasy, so much to embrace and so much to reject, to eject, discard, amputate.

The wind gusts harder for a moment, trying to stagger me back, making me shift my weight on my legs to steady myself in the growing, impending darkness. I hear and feel the waves rise and fall, crashing and dashing against the shoreline again and again, rumbling in their frustration. The wearing will constantly nick away, chip away, erode away at the shoreline. The sound is so beautiful, like the most exquisite music, its major lifts and minor falls harmonizing in the rhythmic pulse of the sea. Eventually the shore is breached, a bit of it lost forever to the constant, relentless, inexorable sea, gnashing and clawing gently and persistently.

So much to do. So little time. So much languishing, so little rejuvenating. Aging, shrinking, the world growing dim. Faculties lost; memories forgotten, retreating into the recesses of the unknown. How much longer? How many more grains of sand, like this beach, left in the hourglass? I can feel the significance through my feet, my legs, thrumming through my body like the heartbeat that is fading in me. Each drumming tattoo taking me closer to the edge, farther from the beginning. The road is long and treacherous. We've no guide, no map, no navigator, no sextant, no stars. Only the clouds, swirling and threatening overhead, low but out of reach, ominous and beyond attack or retaliation. Mockingly near, tauntingly heavy, looming, beyond grasp and without mercy or malice.

I smell the salt air sharply, tipping my head to fill my lungs with the air, full of the sea. I hear the wind riffling through my ears, blotting out every other sound. My eyes drift closed, my mind emptied by the rush of the sinister storm filling my very being with the ocean it carries.

The end of the year. The end of things. I feel the mist on my face again, knowing something is there, in the dark, hurling the sea at me in tiny, invisible droplets that will try to leave me sopping and dripping. When the rain comes at last, my tears will be lost forever in it.

The storm is growing. The year is dying. The light is receding.

-JDT-

Sunday, December 30, 2007

History Witnessed

Tonight, the New England Patriots made an indelible mark on NFL history by defeating the New York Giants in a nail-biting, down-to-the-wire game to improve their record to 16 wins, 0 losses.

It was an historic occasion for individuals this night as well, although those things aren't as important to them as the road that lies ahead. For starters, Tom Brady has surpassed Peyton Manning as the all-time touchdown pass leader, throwing his 49th and 50th touchdown passes tonight. Both of them went to his primary long-pass target, Randy Moss. These touchdowns were also the 22nd and 23rd of the season for Moss, which gave him sole possession of the single-season touchdown reception record. Brady's and Moss' record-breaking score came on a 65-yard touchdown pass from Brady in the fourth quarter.

An amazing achievement, although Jerry Rice, who held the record of 22 touchdown receptions for 20 seasons, was able to accomplish his mark in only 12 games in a strike-shortened 1987 season.

In addition, the Patriots scored 589 points this year, surpassing the 1998 Minnesota Vikings mark of 556. They also scored 75 touchdowns this year, breaking the previous mark of 70 held by the 1984 Miami Dolphins. 23 years to break the mark? Not bad, Dan and Company, not bad. But the Pats didn't just break it ... they shattered it. Heh.

My beloved (yes, beloved) Patriots are the NFL's finest for the regular season. But, we all know, Massholes -- it's on now. The tournament begins next week, and there are some very, very scary teams in it. We have a long way to go before we lift high that Lombardi Trophy for the fourth time.

And we all know, if they don't get to the big dance and win it, 16-0 will mean absolutely nothing.

On the night, Brady went 32 of 42 for 356 yards and 2 touchdowns. Laurence Maroney added two more on 19 carries totally 46 yards. Wes Welker was again stellar in his performance, with 11 catches for 122 yards, most of them clutch. And, he threw a key block that sprang Maroney for a touchdown that was probably as critical as anything he did all night. Way to go, Wes! You're a stud and how you're not going to the Pro Bowl is absolutely beyond me.

Kevin Faulk added his own special flair to the game, too. He didn't run so great, but he caught 8 balls for 64 yards, and picked up a couple of tough first downs when we really needed them. Ben Watson, after dropping a couple (or more) that he probably shouldn't have, ended up with 4 catches and 38 yards, 21 of them on a single toss. Donte` Stallworth added 3 more for 32 yards, his longest 17 yards.

And, Stephen Gostkowski was perfect, going 3 for 3 with a long of 45 yards. In total, Stephen added 12 points to the score tonight. Another unsung hero ... except Bill Belichick did crow about him in the post-game press conference. So I guess he's not unsung after all.

The defense could've played better. I mean, they did get ripped for 35 points. But they held up well, got a very timely interception by Ellis Hobbs, and were able to capitalize on that turnover for a touchdown. They held the Giants and forced punts to rally for 22 unanswered points before the Giants made a game of it again from 10 points back in the fourth quarter. Brady ended up taking a knee in the last minute of the game to secure the win ... meaning he played the whole game. You probably couldn't have gotten him out of the game with a Vaudeville hook.

But it's not over yet, Massholes. In fact, it's just getting started.

Still, let's bask in the glory that is the New England Patriots tonight, Massholes. Tonight, let's celebrate perfection achieved. Something no one else in the last 35 years has been able to do, something that most teams don't even consider a possibility (ours didn't either ... they simply set out to play the best game they could, one game at a time). Let's bathe in the revelry of the moment, seize the joy that is right now, and sit back and watch the rest of the NFL jockey for position to earn the right to face the perfect New England Patriots.

My congratulations go to the team, its players, coaches and its owner. What you have achieved here is fantastic, is wonderful and is unbelievable. I'm still letting it settle. It wasn't easy. It wasn't always pretty. But they did it. Like great teams always do, they found ways to win when they had to. And this is a grand, grand moment indeed.

Massholes, unite. WE ARE UNDEFEATED.

-JDT-

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Saturday, December 29, 2007

Software Review: DarkRoom v. JDarkRoom

Someone did a search for "Darkroom vs. Jdarkroom" [sic] and it brought them to my blog.  I've reviewed and recommended both pieces of software in the last several months, and I still swear by them.  But I've not done a comparison, however precursory, of the two side by side.  I thought today, since I have nothing else to post and I'm not generally interesting, I would do a light treatment of DarkRoom in comparison to JDarkRoom and see how the two stack up to one another.

First off, both editors have their roots in WriteRoom, a black-with-text editor that does nothing but process text files, and which is exclusively for the Mac platform.  With nothing out there for Windows or other *nix platforms, some clever folks came up with some knock-offs for other platforms.  DarkRoom was thus born, and in an attempt to extend the portability to other platforms (like those *nix platforms aforementioned), some other clever duck came up with JDarkRoom.

What's the difference?  DarkRoom (hereafter referred to as DR) is a Wind0ws-based text editor, built on Microsoft technologies and utilizing Microsoft technologies in its implementation.  It's based on the .NET programming architecture and utilizes the .NET Framework within the Windows infrastructure to run.  One of the requirements of the latest build of DR is to have .NET Framework 2.0 running on your Windows machine, or to download and install it.

JDarkRoom (hereafter referred to as JDR) is a Java-based text editor.  It's built using Java, and is therefore not platform-specific.  Because the Java programming language was designed to allow programs to run without specifically targeting any operating system in general, JDR is compatible with any and all platforms running the appropriate Java environment.  This may also have to be downloaded, but it's a simple task to install it.  Once completed, JDR will run on a Unix-based machine, a Windows-based machine, or a Mac (which, technically, is also a Unix-based machine).

So, why choose one over the other?

Well, if you're a Windows user, there are certain conventions you've become used to.  Your keyboard shortcuts, for example, or being able to use your wheel mouse to scroll up and down a long page to keep reading, editing or whatever without having to use the horizontal and vertical scroll bars.  They're nice little touches that make the PC more friendly and familiar to us, and we come to depend on them.  In some cases, you don't really know how to work without those shortcuts, so being able to have them available to you is important, not just a luxury.

Enter DarkRoom.  DR allows you to use a lot of your standard keyboard shortcuts within Windows.  It also includes the familiar Windows interface in its menus and selection dialog boxes.  Since it's Microsoft-technology built, its menus and dialogs make standardized Windows menus and dialogs.  With JDR, you have to navigate through the textual menus.  That's not difficult, and when you're in them it's not like you'll be lost, but the standard, theme-based Windows look may not exist in JDR the way it does in DR.

JDR and DR both allow you to control the font and background colors in their environment.  Both have a nearly unlimited array of selections you can make in those capacities.  In DR, you get the standard Windows color selection screen when making your color choices; in JDR, you get one that's not quite as familiar but is just as easy to use.  And JDR's selection dialog presents tabs for RGB and HSB sliders.  Utilizing these, you can adjust the color infinitely to get exactly what you want.

DR and JDR both allow font selections, but here's a big difference.  In JDR, there are 5 fonts to choose from:  Bitstream Vera Sans Mono (whatever the heck that is), Courier New, Lucida Console, Lucida Sans Typewriter, Monospaced.  Remember, the purpose of this thing is to produce text, not get fancy with formatting tricks, and that includes fonts.  So those are your font choices; love 'em or leave 'em.

In DR, you have your entire compliment of standard Windows fonts to choose from.  If it's in your Fonts folder, it's available for use in DR.  That amounts to hundreds of font choices in my case.  Which, naturally, makes the decision a bit harder, but also allows me to find one that fits my mood or the piece I'm working on.  Of course, none of that information is going to be saved in the final document, because it'll be a text file with characters and nothing else.  So pick to your heart's content -- it's not going to make it into the final save regardless.

JDR allows you to configure things pretty deeply, but it doesn't allow you to set the column width.  It's a fixed width, which is easy on the eyes, and prevents you from having to jump long strings of text from one side of your monitor to the other.  It's a nice feature, but you can't control it.  DR, on the other hand, does allow you to set the column width.  You can also adjust other aspects of the page within DR.

Both allow you to see the number of words and lines used in your document.  DR includes a couple of arrows at the upper right of the screen instead of the scroll bars standard in Windows.  This means you can use your wheel mouse to roll around on the screen.  JDR now has this feature too, but it doesn't include the little scroll arrows on your screen.

JDR is a full-screen environment.   When you're in it, you're in it.  You can't see your system tray, your Start button, your desktop or anything else.  Just the editor.  It's fantastic for getting things done.   There's no IM window popping up to let you know your annoying friend from MySpace just came online and is trying to get your attention.  You don't see the clock ragging at you, telling you you're up past your bedtime.  You don't have the distraction of that stupid little animation on the web page trying to get you to click.  Nothing.

That's great for getting things done.  It is -- you can just concentrate on what you're writing and get it done.  It's a Godsend.  NaNoWriMo'ers, take note for 2008!

DR is a bit more flexible here.  It allows you to have that same, black-out type of distraction free environment, but it also permits you to make the app a separate window on your desktop like any other Windows application.  This was a cool and much-needed feature, and one I would love to see implemented in JDR.  Especially while at work, where distractions may be necessary (like your boss IM'ing you or sending you an urgent email you'd better know came).  You can normalize the window into a size that allows you to scoot it off to one side of your Windows desktop and work on things when you can, want to, etc.  Or, you can maximize it so that it takes up your whole screen, but still shows you the task bar, systray, etc.  Or, you can go full-screen, and be left distraction-free.  That's a nice touch.

And, as a bonus, in any of the window modes, DR allows you to see the menus available, so you can use the commands without having to memorize the keystroke combination(s) to call them.  In fact, I usually normalize DR when I need to do something requiring a menu command, just so I get the menu bar.  Then I put it back into full-screen mode for editing when I've finished.

I thought, and it could just be me, JDR's interface was a little crisper.  I don't know why, but the text seemed clearer, and the program seemed to respond more sharply.  DR isn't slow by any means, but it seemed to be more "blurry" for lack of a better term and it seemed the tiniest bit sluggish relative to JDR during editing.  (I could be imagining that, though, so judge for yourself.)

In the end, the decision to use one over the other came in the output file for me.  When I launched a JDR-generated file in a standard text editor (Notepad), the Java-created file included little sets of squares instead of paragraph spaces.  (This is due to the interpretation of the program of the commands and translation into characters, I'm sure -- or something equally techie and over my head.)  So, when I went to copy and paste that text file into a web-document, or my beloved Windows Live Writer, it didn't work out very well.  I ended up having to open it in some program that interpreted the little squares correctly and re-saving it, then copying and pasting into WLW for posting to the web.  This was a considerable PITA when considering how many things I was writing at the time, and JDR became a slow-down instead of a help.

With DR, I didn't have that trouble.  I saved; opened it in Notepad; there were no little squares anywhere, it was just a reproduction of what I'd produced on the screen, including paragraph breaks.  So, I started using DR instead of JDR, but I still recommend JDR to anyone and everyone interested in creating a distraction-free writing environment that lets you be alone with your thoughts and words.

JDarkRoom is available from www.codealchemists.com, and DarkRoom is available from www.they.misled.us/darkroom.  Give 'em a try -- I think you'll like them.

-JDT-

Update:  Bryce Beattie of Baby Katie Media and StoryHack has chimed in to let me know you can add more fonts to JDR.  You simply have to find the installation folder (where the program files are), and edit the jdarkroom.properties file; specifically, the line that starts with "font.choices=".

Just add in the fonts you want separated with commas but no spaces, and you can have any fonts you want available.  You could add them all if you want, but you have to know the font names to add them here.  Until and unless the source code is made available, at least.

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